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Dilwale-audience-friendly movies of SRK-Rohit’s

Rohit Shetty is synonymous with audience-friendly movies. Most critics may deplore his work, but the paying public — the ones who matter ultimately — reveres his cinema. He promises dollops of entertainment and encompasses just about every ingredient available on the shelf, which the hoi polloi laps up with glee. His movies may not offer ground-breaking stuff, nor do they pick up meritorious awards, but he whips up a storm at the box-office every time he attempts a high-on-entertainment fare. Naturally, one expects DILWALE to surpass SRK-Rohit’s previous endeavor by a wide margin.

First things first! Speculation is rife that DILWALE is an updated/modified version of HUM [1991], but that’s not true at all. Most love stories navigate identical paths and DILWALE is no different. Rohit Shetty stresses on vintage stuff [love triumphs against all odds], but he along with screenplay writer Yunus Sajawal narrates it smartly, peppering and garnishing the proceedings with sub-plots that keep you completed captivated, while the dialogue [Farhad-Sajid] act as the icing on the cake. The twists and turns involving SRK and Kajol is clearly the USP of the enterprise. In fact, the two turning points in the love story, both in the first half, will catch the viewer completely unaware.

Sure, DILWALE has its share of blemishes that cannot be overlooked either. The writing stagnates at regular intervals… The villain’s track could’ve been more persuasive… The pre-climax, when things are sorted out between SRK and Kajol, seems convenient… However, these are minor aberrations. For, the plusses easily outweigh and outnumber the minuses here.


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